This weekend, not only did I celebrate Father's Day (like so many here in the US), but my parents were celebrating their 34th wedding anniversary! Like many married couples, they were together for years before that. And regardless, 34 years of marriage is nothing to sneeze at. Next year they plan to finally take a long-overdue trip to Hawaii to mark their 35th. I hope to figure out something special my siblings and I can do for them to honor the occasion. Hawaii is a place they've wanted to see for ... well 34+ years! But my parents have never been big travelers. They still live in my father's boyhood home, in the area where they both grew up. After they had kids they rarely left town without us (occasional business trips were the only times). And it wasn't financially realistic to take vacations that required plane tickets for the entire clan. My folks were more interested in saving the money to help with the cost of three college educations (not to mention all the other parental expenses they were generous enough to assume). I really hope they do something indulgent and for themselves after all these years!
To celebrate 34 years, we kids gave them a gift that was very inexpensive but that moved them both. At home, I had an 8 by 10 frame that was from the cookie table decor of my own wedding. It was matted to display two 4 by 6 photos, side by side. To turn it into an appropriate anniversary gift, I picked two photo prints of my parents: one from their wedding day and one from mine.
They loved it and it was such a simple, inexpensive idea! In this era of photographic post-materiality, it is a gift just to save someone from the task of ordering and framing tangible prints. And the photographic aftermath of our wedding has yielded many gift opportunities for all three sets of parents.
Chris and his brother also came up with a clever, sentimental, and inexpensive father's day gift that made a bigger splash than the other, more costly gifts they gave. They compiled a list of songs that their dad sang to them when they were kids and turned it into a mixed cd. The entire family was so excited to gather around and listen when they learned what it was. And Chris's dad was clearly moved by the gesture. One of the really interesting things I noticed as a relative newcomer to the family was the excitement his baby sister (who is 20 years younger than Chris but really no longer a baby at age 11) exhibited when she also was able to recognize so many of the songs from her own childhood.
I'll post some outfits and a review or two this week. I've been wearing some version of my Drawing Parallels skirt with a striped or basic top, as though it is my uniform. Later today I'm also going to post a less-than-flattering Tippi-dress-in-action photo. Happy (belated) Father's Day!
Showing posts with label Materiality. Show all posts
Showing posts with label Materiality. Show all posts
June 20, 2011
June 06, 2011
Mompos Review
I'm so late to the party on this dress but with good reason. Since I've been limiting my shopping, I've also decided to limit the items I try at anthro. Smaller wishlists mean less buying at sale time or otherwise! It's a pretty obvious and effective strategy. The Mompos dress fit very similarly to the Spinning Lace. And although it is very pretty and the fabric is of significant quality, I will be skipping it. I don't know that the shape is one I like enough to have in multiple fabrications. I am wearing a size 8 which is the size of my spinning lace dress. There is ample bust room. The hips are free. The waist is true. It has an attached slip with crinoline to add poof to the skirt. It is indeed very pretty but indeed something I have no reason to own.
Regarding more critical, conscious shopping, I want to suggest the following: Although this article focuses on fast fashion, I think it makes some really salient and more general points about materiality, identity, and the constitution of an aesthetic self (not to mention its smart analysis of the role of social media in fostering the desire to brand human identities among its users). The title is the Accidental Bricoleurs by Rob Horning, and my very smart friend, Shar linked it on her Twitter.
May 23, 2011
Uncertain Tippy: Hitchcock's Subconscious Influence
Tippy dress from Anthro paired for styling purposes with:
Moth cropped bow cardi from Anthro
Marc by Marc Jacobs mary jane pumps
Kate Spade tote
I am so grateful to Laura of Anthro Closet Chaos for putting out an APB on this Anna Sui Hitchcock-inspired dress called the Tippy. I never saw it in my local stores so by the time it went on sale, I was clueless about sizing. But I wanted it desperately! And I tracked down a size 6 thanks to reader, Melanie. Thank you both!
I have been a major fan of Alfred Hitchcock's work since I was a child, sneaking late night episodes of Alfred Hitchcock Presents on Nick at Nite (back when they played television classics from the 50s and 60s). My brother and I consumed and obsessed over the popular canon of his cinematic creations as teenagers. And I studied the psychoanalytic theories that influenced the director as a graduate student. A few years ago I was gifted a Hitchcock box set from my parents. It allowed me to see a bunch of works with which I was previously unfamiliar. And although I grew to adore some of the lesser known movies, I still love the cult classics.
In fact, I worry that my love for Hitchcock and his masterpiece of special effects, The Birds has colored how I see this dress. Such an influence could be more powerful than sale goggles. It's silly and short-sighted to buy something based on the intellectual and pop cultural associations it evokes for me. Sure, I've mused before that materiality is more meaningful than the mere acquisition of stuff. But I am not so certain that this dress is the right fit for me, despite its evocations. So opinions and yays or nays are welcome! This was a pricier piece than I usually buy (even on sale), during a period of relative fiscal austerity. Help me answer: Do I like this dress only because I like thinking about the film?
Hitchcock's The Birds is a remarkably misogynist take on the shifting norms of gender and courtship at the mid-century. Anxieties over the meaning of masculinity, if and when a woman aggressively pursues a suitor (in the context of heterosexual relationships) permeate the script, which was based on a novella by Daphne du Maurier. Ultimately our beautiful, confident, modern heroine (played by Tippy Hedron, after which this dress was named) is reduced and quite literally henpecked to near oblivion. By the film's end, the audience is left to presume that the "natural" order of things (in the gendered world, where femininity caves into submission and masculinity enjoys supremacy) has prevailed. The woman has been "put in her place" by nature's revolt against human progress. It is disturbing and powerful to witness. To read about Hitchcock's films and gender, check out The Women Who Knew Too Much: Hitchcock and Feminist Theory
I fell in love with this dress because I was already in love with the film. Then I saw it looking amazing on some of my favorite bloggers! Help me decide what to do. And be sure to check out how those bloggers wear it! See Laura wear the Tippy here. See Becca here. And see Anjali here.
May 16, 2011
Anthro-centric OOTD and avoiding closet obsolescence
Two Wheeler Shirtdress
Cartography Cardigan
Miu Miu flats
I wore this outfit to celebrate a belated Mother's Day with my family this weekend. I saw my mother on the Saturday of Mother's Day weekend but because my brother was working on May 8th, she decided to postpone things. It was important to her that all the kids could be together. It felt sad that I didn't get to hug her on the actual day but I did get celebrate and hug with Chris's mom and stepmom. Yesterday was pretty chilly but I still decided to go bare legged. Today the high is in the low 50s so bare legs aren't an option.
When I bought the Two Wheeler dress by Porridge I knew about its weird fit issues. If I wanted the dress to hug my waist the sleeves were going to be too tiny to button. It's bizarre but I guess I have meatier limbs than Porridge imagined. haha This means I often wear it layered if I don't choose to use my hair-tie button-extending solution (wherein I take a thin elastic hair tie, loop it around the button, thread through the hole, then hook).
I didn't buy anything this weekend which I consider to be a victory. I was in two malls and a Gabriel Brothers. When I browse the stores I often gravitate toward items that are facsimiles of what I already possess. I suppose this affirms consistency in my tastes. But it also can lead to a lot of superfluous shopping. On multiple occasions, I end up buying duplicates, backups, and/or stuff that foresees an eventual (conscious or subconscious) obsolescence. I already wrote about how I purchase in multiples (which I am trying to avoid because it can get a bit hoarder-y) and dress with monogamy (which is a good thing because it brings down cost per wear). But I will soon compile a list that evidences instances of planned and unplanned obsolescence in my wardrobe. I think it will be a good reminder about how silly it is to buy without purpose.
I have been coveting Kate Spade's Violetta dress for some time now, but its color similarities to the Two Wheeler have stopped me from purchasing. Even with this knowledge, a nagging consumer impulse has lingered. I considered selling the Two Wheeeler to replace it with the Kate Spade until I reasoned that my lifestyle is one where cotton makes more sense than silk. This weekend I pulled out the dress in part to remind myself that I have a perfectly cute blue shirtdress (so I need to stop hypothetically shopping by filling up my cart at katespade.com... that ritual can transition to literal shopping pretty quickly!). In light of my car repairs, the similarities should be plenty fuel to curb any impulses. Layering this with the map printed cardi isn't at all clever or new. I wore it almost the exact same way last September.
Do you have any tricks or tips that gently remind that nagging inner consumer when the things you covet replicate what you already own?
April 21, 2011
How do you decide when to say goodbye?
I've been thinking about parting with some of my lesser-used bags. Adrien and Marianne of Looks Good from the Back call this recycling, since the old often funds the new. As much as I enjoy them, they mostly sit in my closet. Let's face it: I just don't have the Kardashian-caliber closet/lifestyle/income to justify collecting for the sake of a collection.
But that leaves me with the decisions. I don't mean to sound dramatic or so crass as to liken this privileged process of material weeding to Sophie's Choice. I fully recognize that this is among the first-world-iest of a developed world/global north problem. But even so, how do you decide what stays and what goes when it is in a genre you happen to (kind of) hoard?
When I am weeding out fast fashion, the process is easy. I don't feel a lot of commitment to that stuff. I didn't buy it with longevity in mind. No one expects to keep some necklace from Target for decades. That's part of why I've begun avoiding fast fashion. No matter how cute the item, I often view the stuff as temporary or even (more guiltily) disposable.
With nicer clothing the process is a little more simple and less intimidating. If I haven't worn it that must mean it 1. doesn't fit my lifestyle 2. doesn't make me feel confident and/or 3. just plain doesn't fit. I don't typically feel that pang of sentimental "what if someday I will want this again" anxiety with clothes.
Bags have long been my vice. They were my high-end gateway drug. I hold onto them with irrational fervor. Quite a few were purchased with great care and effort, to (for lack of better and less pretentious word) curate a fine accessories arsenal that could enhance any range of outfits. Parting with the ones I have kept to this point would mean parting with the ones I really like. Even if I don't use them now, I see their value in remaining a part of my collection. If they've made this many closet edits then I obviously feel kind of attached. And all of these irrational material musings add up to my becoming emotional (and therefore unrealistic) about pricing. When I feel confident about selling a bag, I price it to move. When I feel mixed, I end up being less realistic in my evaluation of resale market value.
I hope I don't sound too materially dependent. I am curious about the thoughts of others on this subject. What about you? How do you decide what stays and what goes? Do you consign, use ebay/bonanza, or a shop blog? Is weeding and re-selling a simple or emotional process? How do you determine a price for something you might have coveted desperately at one point but realize you just rarely use? Do you feel more attached to specific types of items (like shoes, watches, tote bags, etc.) over others?
One such aforementioned Kardashian closet. (from Elle)
But that leaves me with the decisions. I don't mean to sound dramatic or so crass as to liken this privileged process of material weeding to Sophie's Choice. I fully recognize that this is among the first-world-iest of a developed world/global north problem. But even so, how do you decide what stays and what goes when it is in a genre you happen to (kind of) hoard?
All of these MBMJ bags have been rehomed except the Pan Am and the Softy.
When I am weeding out fast fashion, the process is easy. I don't feel a lot of commitment to that stuff. I didn't buy it with longevity in mind. No one expects to keep some necklace from Target for decades. That's part of why I've begun avoiding fast fashion. No matter how cute the item, I often view the stuff as temporary or even (more guiltily) disposable.
As much as I love the Stam, it didn't suit my lifestyle.
With nicer clothing the process is a little more simple and less intimidating. If I haven't worn it that must mean it 1. doesn't fit my lifestyle 2. doesn't make me feel confident and/or 3. just plain doesn't fit. I don't typically feel that pang of sentimental "what if someday I will want this again" anxiety with clothes.
I thought I was ready to say goodbye when I sold this Balenciaga City.
A month or so later I bought it back from its new owner.
Bags have long been my vice. They were my high-end gateway drug. I hold onto them with irrational fervor. Quite a few were purchased with great care and effort, to (for lack of better and less pretentious word) curate a fine accessories arsenal that could enhance any range of outfits. Parting with the ones I have kept to this point would mean parting with the ones I really like. Even if I don't use them now, I see their value in remaining a part of my collection. If they've made this many closet edits then I obviously feel kind of attached. And all of these irrational material musings add up to my becoming emotional (and therefore unrealistic) about pricing. When I feel confident about selling a bag, I price it to move. When I feel mixed, I end up being less realistic in my evaluation of resale market value.
I hope I don't sound too materially dependent. I am curious about the thoughts of others on this subject. What about you? How do you decide what stays and what goes? Do you consign, use ebay/bonanza, or a shop blog? Is weeding and re-selling a simple or emotional process? How do you determine a price for something you might have coveted desperately at one point but realize you just rarely use? Do you feel more attached to specific types of items (like shoes, watches, tote bags, etc.) over others?
April 06, 2011
Memories of Tea Time
This year I find myself turning to herbal tea with great enthusiasm. They have become integral to my evening winding down ritual before bed. For most of my life I have been a drinker of tea. Only in high school did I occasionally incorporate coffee, and it was mostly on special occasions, where I felt oh so Seattle and oh so Grunge by heading to Starbucks (yes, I realize how clueless that sounds, but I was 16 and therefore clueless).
Both of my parents worked my entire life. When my grandmother was still living she would watch me during the period of time between school and my mom's return home. Each day after first grade she would have a cup of hot tea and a plate of toast waiting for me. We'd listen to Patsy Cline records and I'd change into my outfit for dance classes. Since then tea has had a special place in my heart. It's funny how repetition can both bring comfort and solidify the status of a memory. My mom has never been a home coffee drinker. She likes coffee but every morning for as long as I can remember, she has had a cup of hot tea with milk and sugar. My own tea ritual is one I tend to practice in the evenings with decaffeinated versions of my favorites: peppermint, chamomile, cinnamon spice. My love for tea and the knowledge of its role in the history of my family made it difficult to pass up this teacup print Sugar and Cream dress once it hit the sale. I realize material objects are just things. We are not a sum total of stuff. But in grief and nostalgic longing, things can become more substantive when they trigger beloved memories.
February 16, 2011
The hardest working garment in my closet
Marc by Marc Jacobs Paisley dress
J. Crew ruffle cardigan
Spanx tights
Marc by Marc Jacobs captoe maryjanes
I've been thinking a lot lately about selectivity, sale googles, and shopping. As I notice my Anthropologie wishlist dwindle, with only a few errant past-season items waiting to pop back, I feel good. I feel like I've gotten a better handle on my consumerism. Whenever I find myself with nagging pangs of want, I force myself to acknowledge whether I have similar items already before buying. "Does this fill a gap? Or does this just mimic an already loved, perfectly functional piece?"
As my closet expanded (or more accurately, got stuffed to the gills) it became increasingly difficult for anything to fill a gap. At this point the only thing I can do is upgrade or weed out lesser-worn pieces. This process also has me thinking about the hardest working pieces I own. Those items that I relish in wearing and repeating, again and again, year after year.
Since some of the hard workers for this year are only about a year old (or less), I'll have to wait and see if my taste for them grows or fades with time. But this winter the above dress has been one of my hardest workers. I want to compile a list of my hardest workers and would love to have reader input too.
If you want to submit a photo and/or description of your hardest working garment(s) please email me at jesspgh at gmail dot com. In doing so, you/it will be featured on an upcoming blog post. Be sure to include a link to your blog, if applicable!
January 29, 2011
French and Italian (accessories)
There have been some fantastic end of season clearance sales happening lately. Because I have a little mad money (and a nagging addiction to sales), I have been browsing the round racks and websites. I just accepted my first invitation to speak that includes an honorarium (fancy word for stipend). Although I am extremely busy with other projects, trying desperately to finish my dissertation and wrap up my Cultural Studies Association paper for the Division of Culture and War, I accepted. This sort of invitation is counted among my many academic goals.
Gucci Wedges on major discount from DSW
You see, I have a range of career objectives that span from realistic to entirely absurd. To name a few: "be invited to share your expertise during a segment on NPR," "deliver a ____ ____ inaugural lecture," "donate your 'archives' to a library that actually wants them," "start a scholarship fund for economically disadvantaged women from your home town," "be invited to speak at an event that includes an honorarium," "publish a book (or three)," "actively mentor and advise people who aren't children of PhDs (and are therefore as bewildered by academia as you were/are)," etc. I am sure this probably makes me sound insufferable, (think Tracy Flick) but I promise that many are tongue-in-cheek pipe-dreams. And the rest come from a place of earnestness (think Leslie Knope).
Balenciaga buckle ballerinas from Barneys final cut sale
Anyway, I was briefly evaluating what I should do with the money. Then I remembered that I already have a few recent buys that I can pretend are my honorarium presents. This allows me to sink that check directly into savings. It makes the most sense, practically. And although I do like these items, I was having trouble justifying them. Although their combined sale price totals don't equal my windfall, their retail values certainly do!
Michael Kors Calista handbag in Navy, bought with Saks giftcard
BTW and not to sound like an outtake from the talking Malibu Stacy episode of the Simpsons, but (as a humanities scholar) sale math is my favorite genre of everyday math.
January 28, 2011
Anthropologie Favorites Collage
Roxy of Effortless Anthropologie posed an interesting question to her readers this week. She asked them to share with her their favorite pieces from the store. I chose only ones I purchased and left out the ones I regret not buying. But many of mine are from years ago. I am wearing one today! If you want to see the details, please click the photo to enlarge.
I loved reading about what stood out for others. I also loved seeing older photos of pieces I had never seen! It is definitely worth checking out if you are a long time fan of the store.
December 31, 2010
Year in Outfits: 2010
It is difficult to compile my favorite outfits of the year because I began 2010 as a much less frequent blogger. Then I was still taking outfit photos with my dusty mirror and my iphone. As a result a lot of my early year outfit photos look really junky and blurred. But they're a part of this year's outfit history.
Like so many outfit archivists, it is nearly impossible for me to separate what I wore from what I did. Major milestones are planned down to every detail, and outfits are intrinsic to that planning. For better or worse, my memories are often forged through materiality, a subject I explored this time last year.
I had a number of firsts in 2010. And the photographic relics include those outfits. Below, the text covers some of my favorite moments (most of which weren't in my favorite buys of 2010 post) and the photos include favorite outfits. Although some photos aren't the best representations of the clothes, the moments matter more.
I experienced the first day of of South American summer. Relatedly, I vacationed in the southern hemisphere. And I flew alone internationally. I drank directly from a young coconut. I had fresh caldo de cana (read what it is here). I became (a little too) well versed in the caipirinha. I cried at the airport in Pittsburgh when I bid Chris farewell. And I cried at the airport in Rio when we reunited after nearly 2 months.
I turned 30 and entered into a new decade of life. Months later I went to the emergency vet/animal hospital. I nursed Speck to health again and apologized profusely for putting her in the cone of shame when I had to leave the house during her recovery.
I had a wedding and got married.
I visited New Orleans and promptly fell in love. I saw the Lundi and Mardi Gras parades and celebrations. I ate raw oysters, fresh from the Gulf. I sailed (albeit briefly) across the Mississippi River. I ate so many classic and delicious dishes there like shrimp etouffee, gumbo, turtle soup, jambalaya, and po boys. For the first time within mere hours of visiting a new city, I thought to myself "I could live here."
I experienced my first blizzard and resultant snowpocalypse as an adult. During this time and in the weeks following, I interviewed for tenure track jobs on the campuses of schools that considered me for hire. I turned down requests from schools for campus and telephone interviews with a heavy heart and a heaping helping of uncertainty.
Months later, I attended orientations as new faculty. I transitioned (though I'm still finishing the dissertation) from graduate student to assistant professor.
I began blogging with regularity. I braised pork by myself. I dyed my hair blond (again) and watched it bleach out further in the December sun of Brazil.
I celebrated as multiple loved ones gave birth, turned a year older, declared their commitments to each other in marriage, celebrated anniversaries, and found new jobs/started graduate programs.
I dressed up a lot.
I laughed and cried through so much happiness and frustration and sadness and joy that I feel more me than ever before.
I can't wait to see what 2011 holds for everyone! Happy New Year and Happy Future to all of you! Thank you for reading! xo
Like so many outfit archivists, it is nearly impossible for me to separate what I wore from what I did. Major milestones are planned down to every detail, and outfits are intrinsic to that planning. For better or worse, my memories are often forged through materiality, a subject I explored this time last year.
I had a number of firsts in 2010. And the photographic relics include those outfits. Below, the text covers some of my favorite moments (most of which weren't in my favorite buys of 2010 post) and the photos include favorite outfits. Although some photos aren't the best representations of the clothes, the moments matter more.
I experienced the first day of of South American summer. Relatedly, I vacationed in the southern hemisphere. And I flew alone internationally. I drank directly from a young coconut. I had fresh caldo de cana (read what it is here). I became (a little too) well versed in the caipirinha. I cried at the airport in Pittsburgh when I bid Chris farewell. And I cried at the airport in Rio when we reunited after nearly 2 months.
I turned 30 and entered into a new decade of life. Months later I went to the emergency vet/animal hospital. I nursed Speck to health again and apologized profusely for putting her in the cone of shame when I had to leave the house during her recovery.
I had a wedding and got married.
I visited New Orleans and promptly fell in love. I saw the Lundi and Mardi Gras parades and celebrations. I ate raw oysters, fresh from the Gulf. I sailed (albeit briefly) across the Mississippi River. I ate so many classic and delicious dishes there like shrimp etouffee, gumbo, turtle soup, jambalaya, and po boys. For the first time within mere hours of visiting a new city, I thought to myself "I could live here."
I experienced my first blizzard and resultant snowpocalypse as an adult. During this time and in the weeks following, I interviewed for tenure track jobs on the campuses of schools that considered me for hire. I turned down requests from schools for campus and telephone interviews with a heavy heart and a heaping helping of uncertainty.
Months later, I attended orientations as new faculty. I transitioned (though I'm still finishing the dissertation) from graduate student to assistant professor.
I began blogging with regularity. I braised pork by myself. I dyed my hair blond (again) and watched it bleach out further in the December sun of Brazil.
I celebrated as multiple loved ones gave birth, turned a year older, declared their commitments to each other in marriage, celebrated anniversaries, and found new jobs/started graduate programs.
I dressed up a lot.
I laughed and cried through so much happiness and frustration and sadness and joy that I feel more me than ever before.
I can't wait to see what 2011 holds for everyone! Happy New Year and Happy Future to all of you! Thank you for reading! xo
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